ΤΕΧΝΗ,ΕΜΠΝΕΥΣΜΕΝΗ ΑΠΟ ΤΗ ΦΥΣΗ.ΦΙΛΟΣΟΦΙΑ ΚΑΙ ΕΠΙΣΤΗΜΗ,ΓΙΑ ΜΙΑ ΔΙΑΡΚΗ ΕΠΑΝΑΣΤΑΣΗ ΑΠΕΝΑΝΤΙ ΣΕ ΚΑΘΕ ΜΟΡΦΗ ΕΞΟΥΣΙΑΣ,ΓΙΑ ΤΟ ΠΑΡΟΝ ΚΑΙ ΤΟ ΜΕΛΛΟΝ ΤΟΥ ΑΝΘΡΩΠΟΥ,ΤΗΣ ΓΗΣ,ΚΑΙ ΤΩΝ
ΜΟΡΦΩΝ ΖΩΗΣ ΣΕ ΑΥΤΗΝ...ARTS,INSPIRED BY THE NATURE.PHILOSOPHY AND SCIENCE FOR A CONTINUOUS REVOLUTION AGAINST ANY KIND OF DOMINANCE ,FOR THE PRESENT AND FOR THE FUTURE OF THE HUMAN,OF THE EARTH,AND OF EVERY KIND OF LIVING CREATURE IN THE EARTH.
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Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner....
Yuriy Borisovich Norshteyn (Russian: Ю́рий Бори́сович Норште́йн), or Yuri Norstein (born September 15, 1941) is an award-winning Soviet and Russian animator best known for his animated shorts, Hedgehog in the Fog and Tale of Tales. Since 1981 he has been working on a feature film called The Overcoat, based on the short story by Nikolai Gogol of the same name.
Yuriy Norshteyn was born to a Jewish family in the village of Andreyevka, Penza Oblast, during his parents' World War II evacuation. He grew up in the Maryina Roshcha suburb of Moscow. After studying at an art school, Norshteyn initially found work at a furniture factory. Then he finished a two-year animation course and found employment at studio Soyuzmultfilm in 1961. The first film that he participated in as an animator was Who Said "Meow"? (1962). After working as an animation artist in some fifty films, Norshteyn got the chance to direct his own. In 1968 he debuted with 25th October, the First Day, sharing directorial credit with Arkadiy Tyurin. The film used the artwork of 1920s-era Soviet artists Nathan Altman and Kuzma Petrov-Vodkin.
The next film in which he had a major role was The Battle of Kerzhenets (1971), a co-production with Russian animation director Ivan Ivanov-Vano under whose direction Norshteyn had earlier worked on 1969's Times of the Year.
Throughout the 1970s Norshteyn continued to work as an animator in many films (a more complete list can be found at IMDB), and also directed several. As the decade progressed his animation style became ever more sophisticated, looking less like flat cut-outs and more like smoothly-moving paintings or sophisticated pencil sketches.
Norshteyn uses a special technique in his animation, involving multiple glass planes to give his animation a three-dimensional look. The camera is placed at the top looking down on a series of glass planes about a meter deep (one every 25–30 cm). The individual glass planes can move horizontally as well as toward and away from the camera (to give the effect of a character moving closer or further away).
For many years he has collaborated with his wife, the artist Franchesca Yarbusova, and the cinematographer Aleksandr Zhukovskiy.
Throughout the late 1970s and early 1980s, Norshteyn's animations were showered with both state and international awards. Then, in a bitter twist of irony, he was fired from Soyuzmultfilm in 1985 for working too slowly on his latest film, a (presumably) feature-length adaptation of Gogol's Overcoat. By that time he had been working on it with his usual small team of three people for two years and had finished ten minutes.
In April 1993, Norshteyn and three other leading animators (Fyodor Khitruk, Andrey Khrzhanovsky, and Edward Nazarov) founded the Animation School and Studio (SHAR Studio) in Russia. The Russian Cinema Committee is among the share-holders of the studio.
To this day, Norshteyn is still working on The Overcoat—his ardent perfectionism has earned him the nickname "The Golden Snail". The project has met numerous financial troubles and false starts, but Norshteyn has said that it currently has reliable funding from several sources, both from within and outside of Russia. At least 25 minutes have been completed to date. A couple of short, low-resolution clips have been made available to the public: and . The first 20 minutes of the film have also toured among various exhibits of Norshteyn's work in Russian museums. The full film is expected to be 65 minutes long.
Norshteyn wrote an essay for a book by Giannalberto Bendazzi about the pinscreen animator Alexandre Alexeïeff titled Alexeieff — Itinerary of a Master.
In 2005, he released a Russian-language book titled Snow on the Grass. Fragments of a Book. Lectures about the Art of Animation, featuring a number of lectures that he gave about the art of animation. That same year, he was invited as "guest animator" to work on Kihachiro Kawamoto's puppet-animated feature film, The Book of the Dead.
On August 10, 2008, the full version of the book Snow on the Grass was released (the "incomplete" 2005 book was 248-pages). The book, which was printed in the Czech Republic and funded by Sberbank, consists of two tomes, 620 pages and 1700 color illustrations. The studio stopped working on The Overcoat for nearly a year while Norshteyn worked to release the book.
Filmography
25th October, the First Day (25-е — первый день, 1968), in collaboration with Arkadiy Tyurin.
The Battle of Kerzhenets (Сеча при Керженце, 1971), in collaboration with Ivan Ivanov-Vano.
The Fox and the Hare (Лиса и заяц, 1973).
The Heron and the Crane (Цапля и журавль, 1974).
Hedgehog in the Fog (Ёжик в тумане, 1975).
Tale of Tales (Сказка сказок, 1979).
Participated in Winter Days (冬の日, 2003).
The Overcoat (Шинель, still in production)
Awards and praise
1971—Karlovy Vary International Film Festival: The Battle of Kerzhenets named Best Animated Film
1972—Zagreb World Festival of Animated Films: Grand Prize for The Battle of Kerzhenets (shared with Ivan Ivanov-Vano)
1972—Tbilissi: The Battle of Kerzhenets named Best Animated Film
1972—Bombay Film Festival: "Diplom" for The Battle of Kerzhenets
1975—Annecy International Animated Film Festival: Special Jury Prize for Heron and Crane
1975—New York (U.S.): First Prize for Heron and Crane
1976—Frunze All-Union Film Festival: Hedgehog in the Fog "best animated film"
1976—Teheran Children's and Youth Film Festival: Hedgehog in the Fog "best animated film"
1977—Odense (Denmark): Grand Prize for Heron and Crane
1979—USSR State Prize for Tale of Tales (awarded just prior to its release to Norshteyn, Yarbusova, and Zhukovsky)
1980—Lille (France) International Festival of Films Jury Grand Prize for Tale of Tales
1980—Zagreb World Festival of Animated Films: Grand Prize for Tale of Tales
1980—Ottawa International Animation Festival (Canada): Best Film Longer Than Three Minutes Award for Tale of Tales
1984—Los Angeles Olympic Arts Festival: Tale of Tales voted by large international jury to be the greatest animated film of all time
1991—Annie Award for Distinguished Contribution to the Art of Animation
1995—Russian Independent Triumph Award (acknowledging 'the highest achievements in art and literature')
1996—People's Artist of Russia
1996—1st Open Russian Festival of Animated Film, Breakthrough Prize for Russian Sugar (commercial)
2002—Zagreb World Festival of Animated Films: Tale of Tales again voted by large international jury to be the greatest animated film of all time
2004—Japanese Order of the Rising Sun
Hayao Miyazaki considers Yuriy Norshteyn "a great artist" and cited Hedgehog in the Fog as one of his favourite animated films. - download some Yuri's animations here download Skazka Skazok (Tale of Tales) here
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Machinarium is a puzzle point-and-click adventure game developed by Amanita Design. It was released on October 16, 2009 for Microsoft Windows, Mac OS X, Linux, on September 8, 2011 for iPad 2 on App Store (iOS) and on November 21, 2011 for BlackBerry PlayBook. Demos were made available on September 30, 2009. It was also being scheduled for a future release for the Nintendo Wii's WiiWare service, but as of November 2011, it has been cancelled due to WiiWare's 40MB limit. In March 2011, Amanita Design announced that Machinarium will be headed to PlayStation 3's PSN. Amanita Design are also preparing a port for Android.
The goal of Machinarium is to solve a series of puzzles and brain teasers. The puzzles are linked together by an overworld consisting of a traditional "point and click" adventure story. The overworld's most radical departure is that only objects within the player character's reach can be clicked on.
Machinarium is notable in that it contains no dialogue, spoken or written, and apart from a few tutorial prompts on the first screen, is devoid of understandable language entirely. The game instead uses a system of animated thought bubbles. Easter egg back story scenes in the same format can only be revealed by idling in certain areas.
The game employs a two-tier hint system. Once per level, the player can receive a hint, which becomes increasingly vague as the game progresses. Machinarium also comes with a walkthrough, that can be accessed at any time by playing a minigame. As with dialogue, the walkthrough is not in written or spoken form, but instead a series of sketches describing the puzzle at hand and its solution. However, the walkthrough only reveals what must be done in that area, and not how that puzzle relates to the game chronology.
Machinarium opens with an overview of the eponymous city as a disposal flier launches from its highest tower. The player character, a robot called Josef (named after Josef Čapek, the creator of the word "robot" and brother to Karel Čapek) is dumped on a scrapheap, where he re-assembles himself and sets off for the city. Entering the city, he discovers a plot by the Black Cap Brotherhood, his three thuggish antagonists, to blow up the city's tower. Unfortunately, he is himself discovered and locked up. After breaking out of prison, Josef aids the citizens of the city, as he discovers the mischief which the Brotherhood has been working. Shortly after flooding the bad guys' room (leaving them helpless), Josef locates his girlfriend, who has been locked up and forced to cook. Unable to free her, he works his way to the top of the tower. He foils the Black Cap Brotherhood's plot by disarming the bomb taped to the tower. After preventing destruction, Josef climbs to the top of the tower where he finds the room where the story began. A huge-headed robot sits in the middle of the room, incapacitated and gibbering. Josef recalls how the three of them lived happily until the Black Cap Brotherhood zapped this friend, leaving him disabled, and kidnapped the girl. When a garbage sucker arrived to dispose of the Black cap thug, it gets Josef instead. After this revelation, Josef restores his friend to sanity, dumps the Brotherhood down a drain, and frees his girlfriend. The two of them climb back to the tower, wave goodbye to their friend, and fly off into the sunset. In the final closing scene, their vehicle suffers a collision and falls, and they are seen being carried away separately by two fliers.
System requirements OS: Windows XP, Vista, 7 / Mac OS X v10.4 / Linux CPU: 1.8 GHz RAM: 1 GB HD: 380 MB
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