Thursday, December 14, 2017

Kedi (2016 film)

Kedi is a 2016 Turkish documentary film directed by Ceyda Torun about the many stray cats that live in Istanbul. It premiered at the !f Istanbul Independent Film Festival on 21 February 2016 before being given a North American theatrical release on 10 February 2017. It debuted on the YouTube Red streaming service on 10 May 2017. It was released on DVD in the U.S. on 14 November 2017. The film received critical acclaim, and grossed over $4 million. Time magazine listed it as one of its top ten films of 2017.
 Thousands of street cats live in Istanbul, the largest city in Turkey, as they have for centuries. Some are wild and fend for themselves, while others are tamer and are cared for by people. Kedi depicts these cats, and includes many interviews of the people who interact with them. It focuses on seven of the cats, who are named Sari, Duman, Bengü, Aslan Parçasi, Gamsiz, Psikopat, and Deniz.

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Peter Hammill (discography)

 



Peter Joseph Andrew Hammill (born 5 November 1948) is an English singer-songwriter. He is a founding member of the progressive rock band Van der Graaf Generator. Best known as a singer, he also plays guitar and piano. He also acts as a record producer for his own recordings and occasionally for other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.

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Peter Hammill is a prolific songwriter, singer, and co-founder of Van Der Graaf Generator; he has also released dozens of solo recordings on a series of labels and later on his own Fie! Records. Though he never attained the public profile of fellow countryman David Bowie, Hammill's recording career has proven just as groundbreaking and uncompromising.
Hammill was born in 1948 in the west London suburb of Ealing, moving to Derby when he was 12. As a child and young adolescent, he was subject to Catholic teachings, particularly those of the Jesuit order. Though he ceased practicing the religion later in his teens, its influence, as well those of history, depth psychology, and philosophy, have been profound in his music. Hammill discovered music at a fairly young age, learning piano as a child.
He began playing guitar in his teens. He was steeped in classical music as well as opera and avant-garde, but also loved rock & roll. His discovery of new wave science fiction authors Michael Moorcock, Harlan Ellison, and Tom Disch, among others, also influenced his thoughts and music at the time.
While studying at Manchester University, Hammill met drummer Nick Peame and keyboardist /saxophonist Chris Judge Smith (who had just returned from studying at the University of California in Berkeley); the trio formed the first version of Van Der Graaf Generator, though Judge Smith left when the band began to tour in 1968, and Peame left in 1969.

Hammill (vocals, acoustic guitar and electric piano) enlisted Hugh Banton (organ, bass pedals), Guy Evans (drums), David Jackson (reeds and winds), and bassists Keith Ellis (1968-1969), and Nic Potter (1970). The band released four highly influential albums --The Aerosol Grey Machine, The Least We Can Do Is Wave to Each Other, H to He, Who Am the Only One, and Pawn Hearts -- between 1969 and 1971 before breaking up for the first time in 1972.
After the split, Hammill began releasing a series of provocative, diverse, and at times astonishing solo recordings: Fool's Mate (1971), Chameleon in the Shadow of the Night (1973), The Silent Corner and the Empty Stage and In Camera (1974), Nadir's Big Chance (1975, which saw the emergence of his punk alter ego, Riki Nadir), and Over (1977), all for the Charisma label. These records established his reputation as not only a songwriter and composer of consequence, but as a singular vocalist.
In the middle of his solo run, Van Der Graaf Generator reunited in 1975 and released Godbluff. They followed it with two offerings in 1976, Still Life and World Record. Banton and Jackson left the group almost immediately after. Hammill and Evans changed the name to Van Der Graaf, added violinist Graham Smith, and recorded The Quiet Zone in 1977. A live album, Vital, followed in 1978, and the group disbanded again, though its members continued to appear on Hammill's solo work. The songwriter resumed his solo career with 1977's provocative Future Now, followed by pH7 in 1978. These marked his final two dates for Charisma. Taken with his earlier solo recordings, they make for diverse and groundbreaking run in art/prog rock that has never lacked in eclecticism, ambition, and adventurousness.
Hammill didn't record again until 1980, when he released the completely solo -- and subsequently regarded as a classic -- A Black Box for S-Type. He signed to Virgin later that year. Sitting Targets, his debut for the label, was followed by another fine run that included Enter K (another of his alter egos) in 1982, Patience (1983), The Love Songs (1984), And Close as This, and Skin (both in 1986). In 1988, Hammill contracted with American independent Enigma for three albums: 1988's In a Foreign Town, 1990's Out of Water, and the acclaimed completely solo Room Temperature: Live. In 1991 he released his first opera, a musical re-enactment of Edgar Allan Poe's, The Fall of the House of Usher, co-written with Judge Smith. Though Hammill performed all of the instruments and many of the vocals, other artists who contributed voices included Lene Lovich, Andy Bell, and Herbert Grönemeyer. The album appeared on Some Bizarre.
In 1992 the songwriter formally launched his Fie! Records label with an acknowledged masterpiece, Fireships, cut in his home studio in Bath. It was followed by The Noise and a live offering in 1993, and Roaring Forties in 1994.
With few exceptions -- notably 1993's Offensichtlich Goldfisch and 1996's Tides -- Hammill recorded his solo works exclusively for Fie! Some of these received distribution across the Atlantic, including X My Heart (1996) and Everyone You Hold (1998). In 1999, he collaborated with composer Roger Eno for The Appointed Hour.
In the 21st century, Hammill showed no sign of slowing down. Playing live somewhat regularly, he set up his own website, Sofa Sound, in order to distribute his recordings to fans and communicate with them via a blog and regular news updates. Significant albums include 2000's None of the Above, 2002's Clutch, and 2004's Incoherence.
In 2004, the classic lineup of Van Der Graaf Generator played together for the first time since the '70s at a pair of Hammill's solo shows. Though he'd rejected the idea of another reunion for over a decade, he, Jackson, Evans, and Banton re-formed and issued Present, a brand-new studio album, in 2005. Fans and critics agreed on its significance and merit. It made several year-end lists, including The Wire's. A live record was cut at Royal Albert Hall that year and issued in 2008, the same year as their next studio offering, Trisector. A Grounding in Numbers and Alt were issued on Esoteric in 2011 and 2012, respectively.
Hammill's solo career continued without a break. In 2006 he released Incoherence, followed that same year by a duet recording with Stuart Gordon entitled Veracious (sic). He found time to write for himself as well as Van Der Graaf Generator, even on tour. He released Thin Air in 2009, followed by Consequences in 2012.
After a long email correspondence, Hammill invited the eclectic and prolific New York guitarist Gary Lucas (Captain Beefheart) to his studio in Bath with no particular goal in mind. Ideas flew fast and furious and the pair emerged with the accessible yet thoroughly experimental The Other World. It was issued by Esoteric in February of 2014 followed not long after by another solo release, ...All That Might Have Been. 2017 saw the release of Hammill's 35th solo LP, another ambitious, entirely self-played collection called From the Trees.
https://www.allmusic.com/artist/peter-hammill-mn0000843607/biography
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Thursday, November 2, 2017

Van der Graaf Generator discography

Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and continue to perform as of 2016.
The band formed at Manchester University, but settled in London where they signed with Charisma. They went through a number of incarnations in their early years, including a brief split in 1969. When they reformed, they found minor commercial success with The Least We Can Do Is Wave to Each Other (February 1970), and after the follow-up album, H to He, Who Am the Only One (December 1970), stabilised around a line-up of Hammill, organist Hugh Banton, saxophonist David Jackson, and drummer Guy Evans. The quartet subsequently achieved significant success in Italy with the release of Pawn Hearts in 1971.
After several exhausting tours of Italy, the band split in 1972. They reformed in 1975, releasing Godbluff and frequently touring Italy again, before a major line-up change and a slight rename to Van der Graaf. The band split in 1978. After many years apart, the band finally united at a gig at the Royal Festival Hall and a short tour in 2005. Since then, the band has continued as a trio of Hammill, Banton, and Evans, who record and tour regularly in between Hammill's concurrent solo career.
The group's albums have tended to be both lyrically and musically darker in atmosphere than many of their progressive rock peers (a trait they shared with King Crimson, whose guitarist Robert Fripp guested on two of their albums), and guitar solos were the exception rather than the rule, preferring to use Banton's classically influenced organ, and, until his departure, Jackson's multiple saxophones. While Hammill is the primary songwriter for the band, and its members have contributed to his solo albums, he is keen to stress that the band collectively arranges all its material. Hammill's lyrics frequently covered themes of mortality, due to his love of science fiction writers such as Robert Heinlein and Philip K. Dick, along with his self-confessed warped and obsessive nature. His voice has been a distinctive component of the band throughout its career. It has been described as "a male Nico" and would later on be cited as an influence by Goth bands in the 1980s. Though the group have generally been commercially unsuccessful outside of early 1970s Italy, they have inspired several musicians, including John Lydon and Julian Cope.
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Trading Places (1983)

Trading Places is a 1983 American comedy film directed by John Landis, starring Dan Aykroyd and Eddie Murphy. It tells the story of an upper-class commodities broker and a homeless street hustler whose lives cross paths when they are unknowingly made part of an elaborate bet. Ralph Bellamy, Don Ameche, Denholm Elliott, and Jamie Lee Curtis also star. The storyline is often called a modern take on Mark Twain's classic 19th-century novel The Prince and the Pauper.The film was written by Timothy Harris and Herschel Weingrod and was produced by Aaron Russo. It was released to theaters in North America on June 8, 1983, where it was distributed by Paramount Pictures. The film earned over US $90 million during its theatrical run in the United States, finishing as the fourth highest earning film of the year and the second highest earning R-rated film of 1983.Denholm Elliott and Jamie Lee Curtis won the awards for Best Actor in a Supporting Role and Best Actress in a Supporting Role, respectively, at the 37th British Academy Film Awards. The film was nominated for several additional awards including Best Motion Picture – Musical or Comedy at the 41st Golden Globe Awards.
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Sunday, October 22, 2017

Maudie (2016)

Maudie is a 2016 biographical romantic drama film directed by Aisling Walsh and starring Sally Hawkins and Ethan Hawke. A co-production of Ireland and Canada, the film is about the life of artist Maud Lewis, who painted in Nova Scotia. In the story, Maud (Hawkins) struggles with arthritis, memory of a lost child and a family that doubts her ability, before moving in with a gruff fish peddler (Hawke) as a cleaning lady. Despite their differing personalities, they marry as her art gains in popularity. The film was shot in Newfoundland and Labrador, requiring a recreation of Lewis's famously small house.


It was selected to be screened in the Special Presentations section at the 2016 Toronto International Film Festival and won a number of awards at other festivals. After festival screenings and wider releases, Maudie received positive reviews. The fact that the film was shot in Newfoundland was the subject of controversy in Lewis' native Nova Scotia. Nevertheless, the popularity of the film sparked a resurgence of interest in Lewis' art.


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Monday, October 16, 2017

Un Cuento Chino (2011)

Chinese Take-Away (Spanish: Un cuento chino) is a 2011 Argentine comedy film written and directed by Sebastián Borensztein. The film was the highest grossing non-US film in Argentina in 2011.
  • In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari has an unrequited love for him, but Roberto is always evasive. One day, Roberto sees a Chinese named Jun being expelled from a taxi while he is watching the landing of airplanes in the airport and he helps the man to stand up. Jun does not speak Spanish and shows a tattoo with an address on his arm. Roberto heads to the spot with Jun and discover that the place belonged to Jun's uncle that sold it three and half years ago. Roberto goes with Jun to the police station, to the China's embassy and to a Chinese neighborhood to seek out his uncle but it is a fruitless search. Roberto lodges Jun in his house and after a series of incidents, he finds a delivery boy to translate Jun and he learns the dramatic story of his life.
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Thursday, September 21, 2017

The Homesman (2014)

The Homesman is a 2014 historical period drama set in the 1850s Midwest, directed by Tommy Lee Jones. The screenplay by Jones, Kieran Fitzgerald and Wesley Oliver was based on the 1988 novel of the same name by Glendon Swarthout. The film stars Jones and Hilary Swank and also features Meryl Streep, Grace Gummer, Miranda Otto, Hailee Steinfeld, John Lithgow and James Spader.
The film was selected to compete for the Palme d'Or in the main competition section at the 2014 Cannes Film Festival and received a North American limited release on November 14, 2014 by Roadside Attractions. The Homesman has received mostly positive reviews from critics. Rotten Tomatoes gave the film a rating average of 7.1/10.
The title refers to the task of taking immigrants back home, which was typically a man's job to carry out.
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Thursday, September 7, 2017

CAN (Discography)

Can was a German experimental rock band formed in Cologne, West Germany in 1968 by the core quartet of Holger Czukay (bass), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists, including Malcolm Mooney ('68–70) and Damo Suzuki ('70–73), as well as various temporary members. Drawing from backgrounds in the avant-garde and jazz, Can incorporated minimalist, electronic, and world music elements into their often psychedelic and funk-inflected music. They have been widely hailed as pioneers of the German krautrock scene.
Can had occasional commercial success, with singles such as "Spoon" and "I Want More" reaching national singles charts. Through albums such as Monster Movie (1969), Tago Mago (1971), Ege Bamyasi (1972) and Future Days (1973), the band exerted a considerable influence on avant-garde, experimental, post-punk, ambient, new wave and electronic music.

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CAN - Biography

June 2011 marked the 43rd anniversary of the founding of Can when Holger Czukay (bass), David Johnson (flute), jazz drummer Jaki Liebezeit and beat guitar player Michael Karoli met in classical conductor and piano player Irmin Schmidt's Cologne apartment in 1968. Their first gig, a collage of rock music and tape samples, took place at Schloss Nörvenich (Castle Nörvenich, near Cologne). The show is documented on the audio cassette Prehistoric Future.
The nameless collective had established its first studio, Inner Space, at the castle when American sculptor Malcolm Mooney, visiting Irmin and Hildegard Schmidt, joined the band. His intuitive drive led the musicians toward a unique take on rock music and the track Father Cannot Yell originated from one of these early sessions. David Johnson, who by then had become the band's sound engineer, left at the end of 1968. Around this period, the lack of a name was solved by Mooney and Liebezeit who came up with The Can.
The first Can album, Monster Movie (1969), defined Can music. Played and recorded spontaneously and driven by repetitive rhythms, the album was recorded directly on to a 2-track machine and then extensively edited. Soundtracks featuring film scores from 1969 and 1970, was the next album. Just after the record was released, Malcolm Mooney left the band and returned to the U.S. The Mooney era is extensively documented on Can - Delay, released in 1982.
In May 1970, Japanese singer Kenji "Damo" Suzuki joined Can after being spotted by Holger Czukay and Jaki Liebezeit busking in Munich. The very same evening he performed with the band at the Blow Up club.
In December 1971, Can founded the Can Studio - known as Inner Space until 1978 when Can soundman René Tinner took over running the operation - in a former cinema in Weilerswist, close to Cologne. All subsequent Can albums were produced there except Rite Time. The studio has now been painstakingly disassembled and is being reconstructed to scale as a working exhibit at the German Rock'n'Pop Museum in Gronau, near the Dutch border.
The period 1970-2 was a breakthrough time for the band with Tago Mago (1971) impressing critics in England and France as well as Germany. Ege Bamyasi, released in 1972, featured the track Spoon, the theme tune for the crime thriller Das Messer and also the band's first chart success in Germany. The track, which was the first time that Can used an early version of a drum machine, led to a Goldene Europa TV award in recognition of Can's soundtrack work. Ege Bamyasi also included the music from another TV crime series in the form of Vitamin C.
The success of Spoon inspired the band to try to reach a wider audience which led to the Can Free Concert. The event was filmed by Martin Schäfer, Robbie Müller and Egon Mann for director Peter Przygodda at the Cologne Sporthalle on February 3rd, 1972. British music weekly Melody Maker wrote: "Can are without doubt the most talented and most consistent experimental rock band in Europe, England included." French magazine Rock & Folk portrayed Can's music as "one of the most impressive musical experiments offered by contemporary bands."
Future Days (1973) was the last Can album with Damo Suzuki. First Michael Karoli took over the vocal duties, followed by short interludes with a succession of singers, among them Tim Hardin. The recording of Soon Over Babaluma that same year marked the end of the era of recording straight onto 2-track. Landed (1975), was the first Can LP to be produced using multi-track technology. The album led Melody Maker to call them "the most advanced rock unit on the planet."
Double album Unlimited Edition (1976) was an extended version of a release that had quickly sold out as Limited Edition two years earlier. Among the tracks were the multi-facetted experiments known as the Ethnological Forgery Series (EFS). Flow Motion, also released in 1976, featured the disco hit I Want More and saw the band performing on UK primetime hitshow Top Of The Pops. The following year Can was augmented by ex-Traffic rhythm duo Rosko Gee (bass) and Reebop Kwaku Baah on percussion.
Holger Czukay had retired as a bass player and on Saw Delight was in charge of "special sounds". His new instrument was a shortwave radio receiver; while his idea to create new impulses for the musical process via radio signals didn't fit within the new Can structure, it became the basis for his first solo album, Movies (1979). The next Can album, Out of Reach (1978), was recorded without Czukay, who had left the band in May 1977, during the final Can tour. On the last show of the tour, in Lisbon at the end of May, Can performed in front of 10,000 fans. The double album Cannibalism (1978) was not just a "Best of ...." compilation, it was in fact, an early indication that Can's reputation would continue to grow.
The British avant-garde and several punk acts were deeply inspired by Can. Speaking for many, Pete Shelley (Buzzcocks) is quoted on the Cannibalism cover: "I never would have played guitar if not for Marc Bolan and Michael Karoli of Can". At the end of 1978 the band released Can. Meanwhile Michael Karoli built the Outer Space Studio studio in France, close to Nice. It was there in November 1986 that the original Monster Movie line-up got together again, with vocalist Malcolm Mooney to record Rite Time. The album was released in 1988. The band assembled again at the Can Studio with the same line-up minus Holger to record the track Last Night Sleep for Wim Wenders' film Until the End of the World.
In May 1997, the remix CD Sacrilege provided further evidence of the durability of Can's music. For this tribute, prominent representatives of the techno, dance and ambient scene reworked 15 classic Can tracks. Ironically, the importance of Can's contribution to the wider musical pantheon was summed up by Andrew Weatherall who refused an offer to remix a Can track for Sacrilege: "I love to remix other people's work. But Can? No way. You don't touch music that perfect. There is nothing to add or take away."
The band's chosen means of celebrating its 30th anniversary in 1999 was characteristically original. Eschewing a reunion tour as too obvious, and, more importantly, as being against the spirit of the group, the Can Box and the Can-Solo-Projects tour were the ways in which the group marked the occasion.Can Box includes recordings from the period 1971-77, a tri-lingual book featuring a comprehensive group history, interviews, reviews and photos by Hildegard Schmidt and Wolf Kampmann plus a video with both the Can Free Concert film by Peter Przygodda, and the Can Documentary by DoRo-film.
The Can-Solo-Projects tour, which featured Holger Czukay & U-She, Jaki Liebezeit's Club Off Chaos, Irmin Schmidt & Kumo plus Michael Karoli's Sofortkontakt!, started on March 19th 1999 in Berlin at the Columbia Halle. The tour was so well received that a second leg was organised for September 1999. This went ahead without Holger Czukay who was obliged to pull out at the last minute due to unforeseen circumstances.
Can worked together for the last time in August 1999 at Irmin's studio in Provence with Jono Podmore, to record a cover-version of The Third Man theme (from the film of the same name) for the Pop 2000 compilation released on Herbert Grönemeyer's label Grönland/EMI.
On November 17th, 2001, Michael Karoli died after a long fight against cancer.
In March 2003 Can received the most prestigious prize that the German music industry can offer: the Echo award for lifetime achievement was presented at an awards ceremony in Berlin. Herbert Grönemeyer, one of Germany's most famous artists, made the official speech while Brian Eno sent in a short, witty film about the group. The prize was handed over by the Red Hot Chili Peppers whose guitarist John Frusciante also spoke of his appreciation and respect for Can's music.
The remaining members of Can are all active as both solo artists and collaborators.
By Gary Smith

CAN
 

Friday, August 25, 2017

Sunday, June 11, 2017

Pride (2014)

Pride is a 2014 British LGBT-related historical comedy-drama film written by Stephen Beresford and directed by Matthew Warchus. It was screened as part of the Directors' Fortnight section of the 2014 Cannes Film Festival,  where it won the Queer Palm award. Writer Stephen Beresford said a stage musical adaptation involving director Matthew Warchus is being planned.

The film was nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy and for the BAFTA for Best British Film, Best Actress in a Supporting Role for Imelda Staunton and for Outstanding Debut by a British Writer, Director or Producer
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Saturday, April 22, 2017

Song For Marion (2012)


Song for Marion (released in the United States as Unfinished Song) is a 2012 British-German comedy-drama film written and directed by Paul Andrew Williams and starring Terence Stamp, Gemma Arterton, Christopher Eccleston and Vanessa Redgrave.
The film was nominated for three awards—Best Actor, Best Screenplay, and Best Supporting Actress—at the 2012 British Independent Film Awards.

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Monday, March 13, 2017

I, Daniel Blake (2016)

 
I, Daniel Blake is a 2016 British-French-German drama film directed by Ken Loach and written by Loach's frequent collaborator Paul Laverty. It stars Dave Johns as Daniel Blake, who is denied employment and support allowance despite his doctor finding him unfit to work. Hayley Squires co-stars as Katie, a struggling single mother whom Daniel befriends.
The film won the Palme d'Or at the 2016 Cannes Film Festival and the Prix du public at the 2016 Locarno International Film Festival.
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A middle aged carpenter who requires state welfare after suffering a heart attack is joined by a single mother in a similar scenario.
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Vera Drake (2004)

 
Vera Drake is a 2004 British drama film written and directed by Mike Leigh and starring Imelda Staunton, Phil Davis, Daniel Mays and Eddie Marsan. It tells the story of a working-class woman in London in 1950 who performs illegal abortions. It won the Golden Lion at the Venice Film Festival and it was nominated for three Academy Awards and won three BAFTAs.
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 Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain--a conflict that leads to tragedy for her family.
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Tuesday, February 7, 2017

The Salt of the Earth (2014)


The Salt of the Earth is a 2014 French-Brazilian biographical documentary film directed by Wim Wenders and Juliano Ribeiro Salgado. It portrays the works of Salgado's father, the Brazilian photographer Sebastião Salgado.
The film was selected to compete in the Un Certain Regard section at the 2014 Cannes Film Festival where it won the Special Prize. The film was nominated for the Academy Award for Best Documentary at the 87th Academy Awards. It won the 2014 Audience Award at the San Sebastián International Film Festival and the 2015 Audience Award at the Tromsø International Film Festival. It also won the César Award for Best Documentary Film at the 40th César Awards.

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Monday, January 30, 2017

Le nom des gens (2010)

 
 The Names of Love (French: Le Nom des gens) is a 2010 French romantic comedy film directed by Michel Leclerc, written by Leclerc and Baya Kasmi, and produced by Antoine Rein, Fabrice Goldstein and Caroline Adrian. The film recorded 764,821 admissions in Europe.[2]
The film was awarded two César Awards in 2011, including Best Actress for Sara Forestier and Best Original Screenplay.
The former French Prime Minister Lionel Jospin makes a cameo appearance.
 The film is semi-biographical, documenting the life of a young woman who uses sex as a weapon to influence right-wing individuals and conservative Muslims. Bahia Benmahmoud (Sara Forestier), a scatter-brained, free-spirited, young left-wing activist, sleeps with her political opposites in order to manipulate them to her cause, until she finds her match in Arthur Martin (Jacques Gamblin).

  
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Sunday, January 15, 2017