KAI AYTO TO KALOKARI,THIS SUMMER

CLUSTER

Cluster is a German experimental musical group who influenced the development of contemporary popular electronic and ambient music. They have recorded albums in a wide variety of styles ranging from experimental music to progressive rock, all of which had an avant-garde edge. Cluster has been active since 1971, releasing a total of 13 albums. Musician, writer and rock historian Julian Cope places three Cluster albums in his Krautrock Top 50 and "The Wire" places Cluster's self-titled debut album in their "One Hundred Records That Set The World On Fire". After a decade long hiatus Cluster reunited in April, 2007. They were selected to perform on June 15, 2007 at the opening of documenta 12, a major exhibition of modern and contemporary art held every five years in Kassel, Germany. In late 2007 Cluster performed at concerts across Europe and will return to the United States for the first time since their 1996 First Encounter tour in 2008.
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Cluster and Eno (1977)-
Zuckerzeit(1974)-

The boy in the stripped pyjamas(2008)

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http://rapidshare.com/files/20417285...aXXo.part1.rar
http://rapidshare.com/files/20417309...aXXo.part2.rar
http://rapidshare.com/files/20417215...aXXo.part3.rar
http://rapidshare.com/files/20417237...aXXo.part4.rar
http://rapidshare.com/files/20417461...aXXo.part5.rar
http://rapidshare.com/files/20417308...aXXo.part6.rar
http://rapidshare.com/files/20417229...aXXo.part7.rar
http://rapidshare.com/files/20417148...aXXo.part8.rar
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A timeless story of innocence lost and humanity found.

The Art of Field Recording

Field recording

is the term used for any recording produced outside of a recording studio. Field recordings can be either of two varieties. Field recording of natural sounds, also called Phonography (a term chosen to illustrate its similarities to photography), was originally employed as a documentary adjunct to research work in the field and foley work for film. With the availability of high-quality portable recording equipment, it has subsequently become an evocative art in itself. Both processed and natural phonographic recordings (such as the Environments series) are available. Field recordings can also refer to on-site recordings of musicians, such as those pioneered by John Lomax, Nonesuch Records and Vanguard Records, where the use of a recording studio for these recordings is impractical.


Techniques

Field recording often involves the capture of ambient noises that are low level and complex, in response the requirement from the field recordist has often pushed the technical limits of recording equipment, that is, demanding low noise and extended frequency response in a portable, battery powered unit. For this reason field recordists have favoured high quality, usually professional, recorders, microphones and microphone pre-amplifiers. The history of the equipment used in this area closely tracks the development of professional portable audio recording technology.

Field recording experienced a rapid increase in popularity during the early 1960s with the introduction of high quality portable recording equipment (such the Uher and Nagra portable reel-to-reel decks). The arrival of the DAT (Digital Audio Tape) in the 1980's introduced a new level of audio recording fidelity with extended frequency response and low self noise. Amongst these technologies, other popular means for field recording have included the analog cassette (CAC), the DCC (Digital Compact Cassette), and the MiniDisc. Today the latest generation of recorders in use are completely digital (hard disk/Flash) based. Techniques have developed to include creative placement of microphones (including contact microphones & hydrophones for example), diffusion of captured sounds and highly individual approaches from recordists.Music

The use of field recordings was in the avant-garde, musique concrete, experimental, and more recently ambient was evident almost from the birth of recording technology. Most note worthy for pioneering the conceptual and theoretical framework with art music that most openly embraced the use of raw sound material and field recordings was Pierre Schaeffer who was developing musique concrete as early as 1940. Field recordings are now common source material for a range of musical results from contemporary musique concrete compositions to film soundtracks, video game soundtracks, and effects.

http://en.wikipedia.org/wiki/Field_recording
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download an excellent piece of Field Recording Music
http://www.megaupload.com/?d=ILKQM4KP

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examples of french field recordings

Peter Watkins

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Peter Watkins (born 29 October 1935) is an English film and television director. He was born in Norbiton, Surrey, lived in Sweden, Canada and Lithuania for many years, and now lives in France. He is one of the pioneers of docudrama.

Filmography

• Culloden (1964)
• The War Game (1965)
• Privilege (1967)
• The Gladiators (The Peace Game) (1969)
• Punishment Park (1970)
• Edvard Munch (1973)
• The Seventies People (1975)
• Fällan (The Trap) (1975)
• Aftenlandet (Evening Land) (1977)
• Resan (The Journey) (1987)
• The Freethinker (1994) (Titled Fritänkaren in Swedish)
• La Commune (Paris, 1871) (2000)

La Commune (Paris, 1871) by Peter Watkins torrent
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The Paris Commune of 1871 - a brief historical background

The Pressure of Time, the Look at the Camera, and the Boundary in the Films of Peter Watkins By Chris Fujiwara

The War Game(1965)

EASTER DAYS AT MY VILLAGE NEAR CALAVRYTA PLACE

Just came back from my village .Check some photos....

Waltz with Bashir (2008)

http://rapidshare.com/files/185074209/xbshrx.part1.rar
http://rapidshare.com/files/185072233/xbshrx.part2.rar
http://rapidshare.com/files/185070798/xbshrx.part3.rar
http://rapidshare.com/files/185069227/xbshrx.part4.rar
http://rapidshare.com/files/185067096/xbshrx.part5.rar
http://rapidshare.com/files/185065656/xbshrx.part6.rar
http://rapidshare.com/files/185063649/xbshrx.part7.rar
http://rapidshare.com/files/185061543/xbshrx.part8.rar